TIME WARP NYC 2026 is listed for NOV 20–21 2026 at Brooklyn in NEW YORK CITY. The advertised program is categorized as techno, with a warehouse / festival format. Explore the announced artists and their musical backgrounds below before planning your visit.
For electronic-music fans following techno, this listing brings together the available artist, venue and event details in one place. Doors, entry requirements and any changes should be confirmed against the organizer's event-specific announcement before traveling.
Artist spotlight: Imagine a club room where the biggest event is not a giant LED wall or a phone held over somebody’s head. It is the moment a drum pattern changes and hundreds of people notice at once. DVS1 built a reputation around that kind of attention. A Minneapolis-based selector and producer, he approaches techno as a physical experience shaped by sound, room acoustics and the relationship between DJ and dancers.
That makes him more than a performer with a recognizable style. He is a reminder that the craft behind a great night includes record selection, patience, equipment and an audience willing to get lost in the music. His sets can be forceful and hypnotic without depending on constant dramatic drops.
DVS1 took the values of underground parties onto international stages while keeping the focus on the music. His artist history includes appearances at influential spaces such as Berghain/Panorama Bar, Bassiani and Fuse. Those rooms have different histories, but each depends on the same basic bargain: the DJ must understand the crowd rather than simply play at it.
He also built HUSH as a home for his recordings and wider approach to electronic music. Mistress Recordings sits within that label family. The discography shows a preference for records meant to function on actual dance floors rather than chase a momentary marketing trend.
His Wall of Sound events push the idea of listening beyond an ordinary speaker setup. The concept treats the entire room as the instrument, making sound-system design part of the performance. This is not decoration. When the system and the programming are in conversation, even a sparse piece of techno can feel enormous.
In 2023 the HUSH 06 release brought tracks including Shatter, Unravel and Merge to the label. The titles are only a small part of the story: the music sits within a long-running commitment to rhythm, pressure and gradual movement. For a developing DJ, the lesson is to learn what a record does over time, not only how its first fifteen seconds sound.
DVS1 has also challenged an uncomfortable piece of the modern DJ economy. In 2022 he launched Aslice, a revenue-sharing initiative intended to encourage paid DJs to share part of their fees with the producers whose tracks drive their sets. Whatever the future of a particular platform, the underlying question remains urgent: who gets compensated when a room erupts for somebody else’s music?
That connects his work behind the decks to his advocacy outside them. The HUSH catalog, Wall of Sound and the broader call to protect club culture are different expressions of the same principle. A dance floor survives because people contribute—artists, promoters, technicians and listeners—and because the music is treated as something worth protecting.
Plan your visit
Date
NOV 20–21 (2026)
City
NEW YORK CITY
Venue
Brooklyn
Music
TECHNO
Format
WAREHOUSE / FESTIVAL
Age policy
Check with organizer
Doors / set times
Not announced in the verified record
Artists & lineup
Meet the announced artists and explore their music, past work and performance backgrounds.
Imagine a club room where the biggest event is not a giant LED wall or a phone held over somebody’s head. It is the moment a drum pattern changes and hundreds of people notice at once. DVS1 built a reputation around that kind of attention. A Minneapolis-based selector and producer, he approaches techno as a physical experience shaped by sound, room acoustics and the relationship between DJ and dancers.
That makes him more than a performer with a recognizable style. He is a reminder that the craft behind a great night includes record selection, patience, equipment and an audience willing to get lost in the music. His sets can be forceful and hypnotic without depending on constant dramatic drops.
DVS1 took the values of underground parties onto international stages while keeping the focus on the music. His artist history includes appearances at influential spaces such as Berghain/Panorama Bar, Bassiani and Fuse. Those rooms have different histories, but each depends on the same basic bargain: the DJ must understand the crowd rather than simply play at it.
He also built HUSH as a home for his recordings and wider approach to electronic music. Mistress Recordings sits within that label family. The discography shows a preference for records meant to function on actual dance floors rather than chase a momentary marketing trend.
His Wall of Sound events push the idea of listening beyond an ordinary speaker setup. The concept treats the entire room as the instrument, making sound-system design part of the performance. This is not decoration. When the system and the programming are in conversation, even a sparse piece of techno can feel enormous.
In 2023 the HUSH 06 release brought tracks including Shatter, Unravel and Merge to the label. The titles are only a small part of the story: the music sits within a long-running commitment to rhythm, pressure and gradual movement. For a developing DJ, the lesson is to learn what a record does over time, not only how its first fifteen seconds sound.
DVS1 has also challenged an uncomfortable piece of the modern DJ economy. In 2022 he launched Aslice, a revenue-sharing initiative intended to encourage paid DJs to share part of their fees with the producers whose tracks drive their sets. Whatever the future of a particular platform, the underlying question remains urgent: who gets compensated when a room erupts for somebody else’s music?
That connects his work behind the decks to his advocacy outside them. The HUSH catalog, Wall of Sound and the broader call to protect club culture are different expressions of the same principle. A dance floor survives because people contribute—artists, promoters, technicians and listeners—and because the music is treated as something worth protecting.
EVENT-SPECIFIC TICKET PURCHASE LINK UNDER VERIFICATION — NO EXTERNAL REFERRAL PROVIDED
Venue & atmosphere
The show is scheduled for Brooklyn in NEW YORK CITY. Visit the venue profile for further venue context where available. Venue address, accessibility, transport and entry policies should be checked with the venue or event promoter.
